Seeing the Forest And the Trees: Lessons from Raccoons

Details versus the big picture–in tracking we need both, but sometimes one can get in the way of the other. We can focus too closely on the small details and miss the overall view, or we can see a larger pattern but miss the crucial fine points. The tracks of the raccoon present challenges on both levels, so they can be helpful for balancing both perspectives.

In the photo below you see two raccoon tracks, a left rear (on the left) and a right front (on the right), oriented toward the top of the frame. Both tracks have the five finger-like toes characteristic of the raccoon. Indentations made by the claws can be seen ahead of each toe, and the undivided middle pads show behind the claws. There are also heel impressions in both front and hind tracks. They’re not as deep as the impressions of the toes and middle pads, but they show up because their texture matches the texture of the other parts of the tracks.

Compare the left rear track shown above to the left rear print in the next photo. In the image below the toes are also finger-like, and they’re held even more tightly together, but the middle pad looks different–it’s shaped like a trapezoid rather than a C. There’s also no heel impression.

The next photo shows a right front print. It’s toes are similar to the toes of the right front in the first photo, but they spread less. And the middle pad is not quite the same; instead of being symmetrical it extends farther back on the outside of the foot. Another difference is the lack of a heel impression.

In general front tracks are smaller than rear tracks and have more spread in the toes. The middle pads of front and rear prints also differ: those of the rear tracks are generally broader with more gently curved front edges than those of the front tracks. Because of these differences it’s usually possible to tell front from rear prints in the raccoon.

It gets trickier when the tracks are incomplete. In the photo below of a right front raccoon track (oriented toward the left) only four toes show, and they’re not very finger-like. The middle pad impression is faint, and you need to look closely to see the curved leading edge. This kind of track could easily be mistaken for that of a different animal.

But we don’t want to miss the forest for the trees. The arrangement of a series of tracks is as important as the details in the individual tracks. The image below shows the typical pattern of a raccoon moving at a pace-walk from right to left: tracks in sets of two, each pair composed of a front from one side roughly next to a rear from the opposite side. This is different from the regular walk commonly seen in deer, house cats, dogs, and wild canines, in which the superimposed front and rear tracks from the same side form a zig-zag pattern. In the raccoon trail shown below the details of track structure that were covered in the preceding paragraphs allow us to distinguish front from rear prints. For instance, in the pair of tracks at the upper right the rear print (larger with a broader middle pad) is above and a little ahead of the front print (smaller with a narrower middle pad). The sequence of tracks, starting from the right, is left front, right rear, right front, left rear, left front, right rear. In each pair the rear print is a little ahead of the front. This position isn’t a constant–the relative placement of the two tracks in a pair can vary, but is usually maintained unless the speed or attitude of the animal changes.

With that pattern established, let’s look at an interesting variation. The photo below shows a similar pace-walk pattern, again proceeding from right to left. Although the track details aren’t as clear the relative sizes suggest that the sequence, starting from the right, is right front, left rear, left front, right rear, right front, left rear, left front, right rear. But what are those extra marks? In each of the left rear prints ( the ones in the first and third pair) there’s a deep gouge behind and some light claw drag marks ahead of the actual track. And the right rear tracks (the ones in the second and fourth pair) seem to be connected by continuous drag marks. Grooves and drag marks like these are not usually seen in raccoon trails and indicate that the animal was injured.

This close-up shows the details better.

By the way, you may have noticed a few gouges in the snow in the first pace-walk photo. These aren’t foot drag marks because they don’t connect with the tracks. The best explanation is that the raccoon was carrying something, probably a prey animal, that hung down and touched the snow at every other couplet of tracks. We see this kind of evidence more often in canines and felines, but raccoons will take small mammals if the opportunity presents itself .

Now that we’ve explored raccoon tracks at both detailed and big-picture levels, here’s a final example. When thaws or seasonal changes create seeps in the winter snowpack, raccoons are quick to explore them for edible items. In the photo below a raccoon made two trips between seeps, leaving muddy drips and beautiful mud tracks on top of the crusted snow. The upper trail goes from left to right and the lower one from right to left. In each trail the pace-walk pattern is clear, with the larger rear prints falling slightly behind the smaller front prints. The track details show nicely: the finger-like toes, the narrower middle pads of the front tracks, and the tighter arrangement of the rear toes.

The forest and the trees–both the big picture and the fine details are necessary in tracking. And it’s even more complicated, because there are more than two levels. There are details within details, and larger views beyond large views. The ability to move among many levels is not only essential for effective tracking. It adds depth and excitement to any tracking experience.