Animal Artists

Nature is the original artist. Whether it’s the pattern of ice crystals in a frozen stream or a flock of birds wheeling together in the sky, we’re surrounded by striking compositions. And animal tracks are no exception. I’ve been photographing these works of art over the years, and I’d like to share some of my finds with you. For each one I’ll also include my deductions and speculations on how it came to be.

Those are mouse trails (deer mouse or white-footed mouse) that seem to pour out of the upper right corner of the photo below. In each trail the deeper landing spots are connected by lighter tail marks. The indistinct trail farthest to the right is older than most of the others. To the left of that one is a trail (superimposed on another older one) that looks like it is heading uphill, based on the shorter jumps and the angles of the tracks. The next one to the left (mostly centered in the photo) seems to be a single passage, and a few tail marks that go to the side (check out the small mark above the lowermost landing spot) tell me that the mouse was going downhill. The trails farther to the left are combinations of at least two passages, and it’s hard to say which way the animals were going. All of the trails radiate from a depression in the snow next to a tree trunk at the upper right of the photo. Openings like this allow access to spaces under the snow pack which are crucial for the winter survival of small animals.

The tracks pictured below were made in a warmer season. A toad walked through the mud and left some natural calligraphy. The direction of travel is from right to left, and the front tracks, with their four toes oriented inward, lie inside the rear ones. The curved lines were made as the trailing toes of the front feet occasionally dragged through the mud as they touched down. Toads often seem to walk on the tips of their rear toes, which is why the hind tracks look like curved rows of dots. The difference between the front and hind prints is best seen in the tracks from the left side (the lower ones) where there’s more separation between the two. At the extreme left there are two left rear tracks near one left front. It looks like the toad put its rear foot down lightly, picked it up and put it down more firmly nearer to the front print.

If you’re having trouble picturing how the feet of a toad could be positioned to make tracks like these, this photo of an American toad might help.

Snakes can also produce artistic creations. A garter snake made the designs in the sand shown below. The sinuous trail near the stones was made by simple forward movement toward the upper left. You can see several places where the tail must have lifted and the back end moved slightly sideways, leaving a ridge outside of the main groove. It’s harder to figure out what happened in the lower half of the photo. The wider flattened areas suggest sideways movement, almost as if the snake was having a good stretch. Do snakes do that?

Meadow voles bulldozing their way through shallow snow made the next work of art. You can see tiny tracks in the grooves, too many to have been made by just one passage. Tail marks show in a few places. The haphazard nature of the voles’ travel suggests they were searching for something edible, seeds perhaps.

A crow is the featured artist in the next photo. The bird landed at the lower center and walked toward the deep hole just above center. It must have dug around there, maybe in search of some edible item. (Or did it already have something that it put down and manipulated there?) It then turned to the right and took off, leaving a tail mark to the left of the hole and a pair of nearly symmetrical wing marks to the right. (If it had been landing instead, the wing marks would be next to or to the left of the hole.) There are some additional feather marks in the photo that are harder to figure out. The ones in the lower right corner that seem to drag down to the left may have been made when the crow landed. Just above those there’s another set of wing marks, and there are two more on the left side of the frame, one above and another below the tail mark. These are more of a puzzle, since they don’t seem to be connected with the landing or the take-off. Maybe the crow swooped around before it actually landed, or maybe another crow was harassing it.

I’ve saved my favorite one, a red fox track decorated with ice crystals, for the very last. This is an interesting phenomenon that occurs during very cold weather. When the track was made it would have looked normal, with a thin floor of compressed snow bordered by low walls of snow. After the fox stepped there the temperature stayed cold so the soil beneath the track, although frozen, was warmer than the air above. The warmth at ground level caused ice in the ground and the snow in the floor of the track to undergo sublimation and recrystallization. Water molecules became detached and formed water vapor, which moved upward and formed new ice crystals in the colder air just above. Since this was a slow process the new crystals had time to get much larger than the crystals in the original snow.

This same process gradually transforms solid snow at the bottom of a deep snow pack into a warren of tunnels and chambers. Remember the mouse trails in the first photo? The trails connected to an opening which gave the mice access to spaces under the snow pack created in the same way as the crystals in the fox track, by sublimation and recrystallization. You can read more about this process, called constructive metamorphosis, here.

Natural art is all around us, and expressed within this beauty are the lives and relationships of living things and the physical world they live in. It’s certainly possible to appreciate the art of nature on its own, without any deeper analysis. And if that is your inclination I encourage you to simply be open and drink in natural beauty whenever you can. But for me, understanding how nature works adds much more to my experiences of natural art. For instance, when I look at a track filled with ice crystals I both marvel at the delicate design and imagine how that design was created by water molecules drifting up from below and attaching to crystals at higher levels. I revel in both the beauty and the finely tuned interactions that produce it.